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Hi Glenn.
Thanks so much for this interesting post. Could you tell us more about your experiences with these pieces? I’m wondering which bari pieces you’ve tried on your Keilwerth SX-90, and how they responded. Which worked; which didn’t.
What reed/mouthpiece combo do you regularly play on your bass?
BTW, I wouldn’t be surprised if JK went with Zinner for their bass mouthpieces. It would make total sense. Many players I know swear by their Zinner bass sax mouthpieces. Apparently they are among the best in the world.
My Medusa bari came with a Zinner M/P. It is an amazing piece. I love it. I’ve been tempted to try other Zinner pieces, but the price point is a bit much for me, and they’re not readily available to try, which means they have to be custom ordered. I don’t want to necessarily buy a piece, I just want to see if it works for me. 😡
Oh well, I guess it’s another thing for me to add to my list of things to do when I go back to Germany. (The list is getting pretty long.) 😉
Hi Helen,
The Keilwerth was the piece that came with the horn. I always suspected that it was a Zinner I just noticed the engraving on the cap when I did this project. The previous owner of the Bass told me that the old Selmer piece was the one to play. I bought some Van Doren reeds when I first got the Bass ($$), and after trying the two pieces, I agree with the previous owner that the Selmer was the better player. At the time I was new to the Bass, and had to bring it in the shop 2x for minor adjustments to get it into playing shape.
After that I got the (modified for Bass) Runyon 88-7 per the article you published from Paul Coats. I liked that piece, and once I brought the Bass in for adjustment, everything played easily from Bb to high Eb. I use a 1.5 fibercell Bari reed. I did find that my air supply ran a bit short with the Runyon 88 – 7. I took your advice that I read here, and switched to a Bass modified Runyon 88 -5. My goal is to have a free blowing pieces that easily plays the range of the instrument and in tune.
On the Bari, I like the Runyon Custom -8 (not pictured as it was in the case when I started this project) or the inexpensive Metalite. The only problem I have with the Metalite is that the upper register plays sharp on my MKVI Bari, so I use it on my Series II Bari, which tends to play quite flat (fibracell 2.5 reed).
Now that you mention it, I’ll give the 2 Bass pieces another try to see if things are different now that I’ve had the Bass a while.
Regards,
Glenn G
Hi, nice line-up.
It would be nice to add sound samples with the same melody for each of them
to hear how they compare soundwise.
Rgds,
Marc :saxy: :saxy: :saxy:
Hi Marc,
Thanks. At the present time, I’m not set up to record, but now that you mention it, it would be interesting to make a recording and listen to the different pieces.
My emphasis has been on finding the best piece that is free blowing, in tune, and one that projects a good sound. It would be interesting to record and listen to the sound that comes out of the horn.
Regards,
Glenn G