The One Who Got Away
The One Who Got Away

The One Who Got Away

smilie fishing, smilie saxophone player, the one who got away, distressed smilie, fishing pole

If you’ve read my blog for a while, you may know that I have been fascinated with the saxophone backlash that accompanied our instrument’s exploding popularity in the early 20th century. For example, sax players found themselves: with limited practice space options as their neighbours complained to the police, the courts, and anyone else who would listen; the punch line of jokes; the subject of scathing editorials; or on the outs with many repressive regimes.

However, not all saxophone players were caught up in this web of saxophone bashing and saxophobia. Occasionally one slipped through the cracks as it were, and got away.

Today’s trip down saxophone memory lane, is the story of one such player. This lucky musician is the one who got away from the police as they raided a Baltimore nightclub trying to silence the saxophone player. It comes to us from the July 7, 1934 edition of The Lewiston Daily Sun.

newspaper article, Lewiston Daily Sun July 7, 1934, police raid nightclub trying to silence the sax player, he was the one that got away

I can’t help but chuckle at this story. In 1934 the saxophone was obviously playing acoustically. Sure, a saxophone could have been loud, but I suspect that the other two pieces of the trio—presumably drums and ?—would have been just as loud. Just how badly was this sax player playing, to cause such a fuss?

Don’t forget that in 1934 the electric guitar was not that far away. The 1930s and 40s were the decades when the instrument was invented and became a staple in professional bands and orchestras.1 Although I have not researched it, I would suspect that the neighbours of these nightclubs would have been calling the police more as the musical genres changed, and the electric guitar became the cornerstone of rock ‘n roll. But I digress…

Getting back to the one who got away, this fellow managed to get the court in Baltimore to levy a fine for future saxophone performances after midnight. According to the Inflation Calculator of the US Dept. of Labor, the $26.45 of 1934, would be $459.83 in 2013. I don’t know what the going rate for a sax player in Baltimore is, but around here a player would have to work about four gigs to pay off that fine. :saxy:

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1 Source: Wikipedia page on the Electric Guitar

…this is just my blog. My “real” website is www.bassic-sax.info. If you’re looking for sax info, you should check it out too.There’s lots there!
 

4 Comments

  1. Paul Lindemeyer

    “…in 1934 the electric guitar was not far away…”

    It was here – altho it was the comparatively tame steel slide instrument. The first known use of an amplified guitar on a recording date was just six weeks away.

    Orville Knapp and his Orchestra called themselves the “Music of Tomorrow” because of the electric steel and Hammond organ – but the leader’s horn of choice was the already unfashionable soprano saxophone.

    Here’s the Knapp band playing a current film tune, “Talkin’ To Myself,” with Chick Floyd on steel guitar. Recorded in Los Angeles, August 21, 1934.

    1. Paul Lindemeyer

      updates (80odd years late!!)…
      Chick Floyd played Hammond organ in the Orville Knapp band, and wrote its interestingly sweet arrangements. It was Jack Miller on steel guitar. He’d picked up the Rickenbacker frying-pan electric – first on the market – when he joined Knapp in LA in 1932.

      The first known electric guitar recording was earlier yet – February, 1933 – played by Joseph Lopes with the Hawaiian band of Noelani Lopes (“Noi Lane”). No saxophones present, so I won’t link here.

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