{"id":16230,"date":"2010-01-25T11:07:05","date_gmt":"2010-01-25T19:07:05","guid":{"rendered":"http:\/\/bassic-sax.info\/blog\/?p=16230"},"modified":"2010-01-25T11:07:10","modified_gmt":"2010-01-25T19:07:10","slug":"just-how-do-microphones-work","status":"publish","type":"post","link":"https:\/\/bassic-sax.info\/blog\/2010\/just-how-do-microphones-work\/","title":{"rendered":"Just How Do Microphones Work?"},"content":{"rendered":"<p>For more than half of my musical life, and certainly all of my musical career, I have played into a microphone. However, I must admit that I have always been rather uninformed as to how they actually work.<\/p>\n<p>Then the other day I happened across a link provided by author, and respected SOTW Columnist, John Laughter, that explains in layman&#8217;s terms, how microphones work. This really informative section of the <a href=\"http:\/\/www.mediacollege.com\/audio\/microphones\/how-microphones-work.html\" target=\"_blank\">Media College.com site<\/a>, provides the reader with a microphone 101 of sorts. It explains the following:<\/p>\n<ul>\n<li>The basics: How a sound wave is converted into an audio signal.<\/li>\n<li>Types of microphones available.<\/li>\n<li>Microphone &amp; line levels.<\/li>\n<li>What dynamic microphones are and how they work.<\/li>\n<li>What condenser microphones are and how they work.<\/li>\n<li>Directional properties of microphones.<\/li>\n<li>Microphone impedance.<\/li>\n<li>Microphone frequency response.<\/li>\n<\/ul>\n<p>After I read through these few pages, I did have a much better understanding of how\u00a0the mic for my Audio Technica wireless system worked. Now I also understand the strange little drawings that were on my new mic&#8217;s spec sheet.<\/p>\n<p>This summer I bought I new clip-on mic for my wireless system. When I went to Tom Lee music, I picked up the <a href=\"http:\/\/www.audio-technica.com\/cms\/wired_mics\/8b8850105bdc46d6\/index.html\" target=\"_blank\">PRO 35 Cardioid Condenser Clip-on Instrument Microphone<\/a>.<\/p>\n<p><a rel=\"attachment wp-att-16257\" href=\"https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro_35_1.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"16257\" data-permalink=\"https:\/\/bassic-sax.info\/blog\/2010\/just-how-do-microphones-work\/pro_35_1\/\" data-orig-file=\"https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro_35_1.jpg?fit=1200%2C1798&amp;ssl=1\" data-orig-size=\"1200,1798\" data-comments-opened=\"1\" data-image-title=\"pro_35_1\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro_35_1.jpg?fit=500%2C749&amp;ssl=1\" class=\"alignnone size-large wp-image-16257\" title=\"pro_35_1\" src=\"https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro_35_1-500x749.jpg?resize=500%2C749\" alt=\"pro_35_1\" width=\"500\" height=\"749\" srcset=\"https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro_35_1.jpg?resize=500%2C749&amp;ssl=1 500w, https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro_35_1.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro_35_1.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<h6>\u00a0\u00a0\u00a0 Source: audio-technica.com<\/h6>\n<p>On the mic&#8217;s spec sheet were the following diagrams&#8230;<\/p>\n<p><a rel=\"attachment wp-att-16258\" href=\"https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro35_polar.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"16258\" data-permalink=\"https:\/\/bassic-sax.info\/blog\/2010\/just-how-do-microphones-work\/pro35_polar\/\" data-orig-file=\"https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro35_polar.jpg?fit=336%2C519&amp;ssl=1\" data-orig-size=\"336,519\" data-comments-opened=\"1\" data-image-title=\"pro35_polar\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro35_polar.jpg?fit=336%2C519&amp;ssl=1\" class=\"alignnone size-full wp-image-16258\" title=\"pro35_polar\" src=\"https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro35_polar.jpg?resize=336%2C519\" alt=\"pro35_polar\" width=\"336\" height=\"519\" srcset=\"https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro35_polar.jpg?w=336&amp;ssl=1 336w, https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro35_polar.jpg?resize=194%2C300&amp;ssl=1 194w\" sizes=\"auto, (max-width: 336px) 100vw, 336px\" \/><\/a>\u00a0<\/p>\n<h6>\u00a0\u00a0\u00a0 Source: audio-technica.com<\/h6>\n<p>I now understand that the above diagram is indicating the pick-up pattern\u2014mostly from the front, but a bit from the sides as well\u2014of my mic. While this\u00a0diagram on the other hand,<\/p>\n<p><a rel=\"attachment wp-att-16259\" href=\"https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro35_freq.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"16259\" data-permalink=\"https:\/\/bassic-sax.info\/blog\/2010\/just-how-do-microphones-work\/pro35_freq\/\" data-orig-file=\"https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro35_freq.jpg?fit=584%2C383&amp;ssl=1\" data-orig-size=\"584,383\" data-comments-opened=\"1\" data-image-title=\"pro35_freq\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro35_freq.jpg?fit=500%2C327&amp;ssl=1\" class=\"alignnone size-large wp-image-16259\" title=\"pro35_freq\" src=\"https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro35_freq-500x327.jpg?resize=500%2C327\" alt=\"pro35_freq\" width=\"500\" height=\"327\" srcset=\"https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro35_freq.jpg?resize=500%2C327&amp;ssl=1 500w, https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro35_freq.jpg?resize=300%2C196&amp;ssl=1 300w, https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2010\/01\/pro35_freq.jpg?w=584&amp;ssl=1 584w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<h6>\u00a0\u00a0\u00a0 Source: audio-technica.com<\/h6>\n<p>shows the frequency response curve of my\u00a0mic.\u00a0Frequency response refers to the way a microphone responds to different frequencies.<\/p>\n<p>Now while this may be old news to many of you, I suspect I&#8217;m not the only one who doesn&#8217;t know their ass from an ohm in the ground. \ud83d\ude06<\/p>\n<p>Seriously, the article that John pointed to is a good read, and not too technical for the average, non-sound engineering student to get their head around. And if I can get it, that&#8217;s saying something. Because\u00a0when it comes to concepts like this, I usually end up doing\u00a0something like\u00a0this&#8230; :bang:<\/p>\n<div style=\"width:500px;margin:0px auto;text-align:left;border:0px solid #25e925;padding:10px;\">\n<div style=\"float:right;width:285px;margin-top:10px;margin-bottom:10px;margin-left:10px;padding-bottom:10px;font-family:Arial, Helvetica, Georgia;font-size: 28px;line-height:24px; color:#AAFF66; text-align: right;\">    &#8230;this is just <span style=\"color:#fe4899;\">my <em>blog<\/em>. <\/span><span style=\"color:#66aaff\"> My <b>\u201creal\u201d <\/b> website is<\/span> <a href=\"http:\/\/www.bassic-sax.info\">www.bassic-sax.info.<\/a> <span style=\"color:#66aaff\">If you\u2019re looking for <\/span> <span style=\"color:#fe4899;\"> <strong>sax info<\/strong>,<\/span> you should <span style=\"color:#aaff66\">check it out too.<\/span><span style=\"color:#fe4899;\">There\u2019s <em>lots<\/em> there! <\/span>\n<\/div>\n<div style=\"clear:both;\"><\/div>\n<p><\/DIV><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For more than half of my musical life, and certainly all of my musical career, I have played into a microphone. 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