{"id":17672,"date":"2010-03-14T12:21:22","date_gmt":"2010-03-14T19:21:22","guid":{"rendered":"http:\/\/bassic-sax.info\/blog\/?p=17672"},"modified":"2010-03-21T11:39:39","modified_gmt":"2010-03-21T18:39:39","slug":"the-3-aspects-of-saxophone-tone","status":"publish","type":"post","link":"https:\/\/bassic-sax.info\/blog\/2010\/the-3-aspects-of-saxophone-tone\/","title":{"rendered":"The 3 Aspects Of Saxophone Tone"},"content":{"rendered":"

The other day I mentioned an article written by Sue Terry<\/a>, in which she likens sound to light. Just as light is made up\u00a0of multiple colours that can be split apart and seen through a prism, so too is a specific tone\u00a0comprised of multiple frequencies that blend together. Taken in their entirety, these sound frequencies are what are known as the overtone series.\u00b9<\/p>\n

When saxophone players talk about tone<\/em>\u2014oftentimes because they want to improve theirs\u2014they may not be aware that there are\u00a0actually multiple aspects of it. Over the years I’ve read all kinds of different names for these 3 aspects of tone, but I’ve found that the names that Sue Terry\u00b2\u00a0uses are easy to remember, and work quite well. She uses the terms: main tone, shadow tone, and overtones.<\/p>\n

\"3<\/a><\/p>\n

\u00a0\u00a0\u00a0\u00a0 Illustration by: H. Kahlke<\/h6>\n

The main tone<\/em> is what we hear the most of. It really forms the core of our saxophone’s sound. The emphasis on this core sound\u00a0was fashionable for years, and certain players, such as Paul Desmond, had a very solid core sound, with very little of either overtones or shadow tones. To achieve this type of sound, players would use a mouthpiece piece with a closed tip, and a hard reed.<\/p>\n

The shadow tone<\/em> is really just a very plain echo of this core sound. When I was in junior high, my first private teacher\u00a0had me practice listening to my tone by having me play against a wall. This is the best way to hear your shadow tone. I still use that technique today\u2014some 30 years later\u2014and I still find myself hearing new things sometimes in my tone, that I haven’t heard before.<\/p>\n

As Terry\u00b3 points out, don’t be surprised if you notice that your shadow tone seems to change in pitch to your\u00a0main tone. Depending what kind of saxophone you are playing, the direction of the air changes as it follows the curves of the instrument. This can result in the shadow tone being more than a whole tone different than your main tone, depending on what notes you are playing.<\/p>\n

The easiest way to hear\u00a0your\u00a0overtones,<\/em> is to stand against a wall and play, just as you would to hear your shadow tone. If you’ve never heard an overtone before in your playing, the easiest one to hear comes from playing low Bb. Stand against the wall and blow a low Bb. Depending on how good your ear is, you should year the F, an octave and a fifth above the low Bb. In the on-line sax community, this note is commonly referred to as F2.<\/p>\n

A tone rich in overtones is a more modern<\/em> sound. David Sanborn is good example of a player who has many overtones in his tone. To achieve this type of sound, players would use a mouthpiece with an open\u00a0tip, and soft reeds.<\/p>\n

This was really the introduction\u00a0for a multi-part series on saxophone tone, that I’ll be writing over the next little while.<\/p>\n

In part 2 we’ll take a look at\u00a0where these 3 aspects (main tone,\u00a0shadow tone, overtones)\u00a0of a saxophone’s sound come from, and how to work towards changing one’s tone.<\/p>\n

___________________________________<\/p>\n

\u00b9 Performance: The Secret Of A Good Woodwind Sound, by Sue Terry. Published in: School Band And Orchestra, October, 2002<\/a>.<\/h6>\n
\u00b2 A good resource for players is Sue Terry’s, Practice Like The Pros that you can get through Amazon.com<\/a>. Your local brick\u2013and\u2013mortar store may have it too.<\/h6>\n
\u00b3 The Secret Of A Good Sound, by Sue Terry. An article published on\u00a0Sax On The Web<\/a>.<\/h6>\n
\n
…this is just my blog<\/em>. <\/span> My \u201creal\u201d <\/b> website is<\/span> www.bassic-sax.info.<\/a> If you\u2019re looking for <\/span> sax info<\/strong>,<\/span> you should check it out too.<\/span>There\u2019s lots<\/em> there! <\/span>\n<\/div>\n
<\/div>\n

<\/DIV><\/p>\n","protected":false},"excerpt":{"rendered":"

The other day I mentioned an article written by Sue Terry, in which she likens sound to light. Just as light is made up\u00a0of multiple …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[80],"tags":[653,646,645,141,281],"class_list":["post-17672","post","type-post","status-publish","format-standard","hentry","category-playing-saxophone","tag-famous-not-so-famous-sax-players","tag-on-line-resources","tag-playing-saxophone","tag-sax-on-the-web","tag-saxophone-tone"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t