{"id":26137,"date":"2011-06-26T10:14:34","date_gmt":"2011-06-26T17:14:34","guid":{"rendered":"http:\/\/bassic-sax.info\/blog\/?p=26137"},"modified":"2024-05-25T10:35:05","modified_gmt":"2024-05-25T17:35:05","slug":"little-richard-his-saxophonist-grady-gaines","status":"publish","type":"post","link":"https:\/\/bassic-sax.info\/blog\/2011\/little-richard-his-saxophonist-grady-gaines\/","title":{"rendered":"Little Richard &#038; His Saxophonist Grady Gaines"},"content":{"rendered":"<p>I sometimes get asked by my friends why I like the rock &#8216;n roll of the 50s so much. The answer is very simple: The saxophone played such a dominant role in those bands, that I&#8217;m automatically drawn to the music like that of&nbsp;no other decade. (Well perhaps the 80s, but that&#8217;s a whole other story&#8230;) \ud83d\ude09<\/p>\n<p>One of the artists whose music&nbsp;I absolutely love is&nbsp;Little Richard. He was a true pioneer&nbsp;of rock &#8216;n roll. He of course used a horn section, and featured saxophone solos in many of his greatest hits.<\/p>\n<p>One such hit was <em>Keep On Knockin&#8217;<\/em>, which featured the saxophone stylings of: Grady Gaines\u2014who also did all the solo work\u2014Clifford Burks, and Wilbert Smith AKA Lee Diamond.<\/p>\n<p><iframe loading=\"lazy\" title=\"Little Richard - Keep a Knockin&#039;\" width=\"1174\" height=\"881\" src=\"https:\/\/www.youtube.com\/embed\/PcJrExewkYA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Grady Gaines hails from Houston Texas, and when he met Richard Penniman, the two started recording together. Penniman would later become Little Richard, and ask Gaines to lead the <em>Upsetters. <\/em><\/p>\n<p>According to John Laughter and Steve D. Marshall:<\/p>\n<blockquote><p>They recorded many classics such as \u201cLong Tall Sally,\u201d \u201cSend Me Some Lovin\u2019,\u201d and \u201cWhole Lotta Shakin\u2019 Goin\u2019 On,\u201d and Grady appeared in three movies with Richard: <em>Don&#8217;t Knock the Rock<\/em> and <em>The Girl Can\u2019t Help It <\/em>(both 1956) and <em>Mister Rock and Roll <\/em>(1957).<\/p>\n<h6>Source: <em>The History Of Top 40 Saxophone Solos 1955 &#8211; 2005<\/em><\/h6>\n<\/blockquote>\n<p>Laughter and Marshal go on to say:<\/p>\n<blockquote><p>In the early years of rock \u2018n\u2019 roll, some songs and bands caused more alarm than others when the adult generation stood by and watched teens dance to the beat. \u201cKeep a Knockin\u2019\u201d was one of those sounds that could get the teens very excited. Listen to the power and energy in Gaines\u2019 solo on top of the band that had the perfect name, the <em>Upsetters<\/em>.<\/p>\n<h6>Source: <em>The History Of Top 40 Saxophone Solos 1955 &#8211; 2005<\/em><\/h6>\n<\/blockquote>\n<div style=\"width: 500px; margin: 0px auto; text-align: left; border: 0px solid #25e925; padding: 10px;\">\n<div style=\"float: right; width: 285px; margin-top: 10px; margin-bottom: 10px; margin-left: 10px; padding-bottom: 10px; font-family: Arial, Helvetica, Georgia; font-size: 28px; line-height: 24px; color: #aaff66; text-align: right;\">&#8230;this is just <span style=\"color: #fe4899;\">my <em>blog<\/em>. <\/span><span style=\"color: #66aaff;\"> My <b>\u201creal\u201d <\/b> website is<\/span> <a href=\"http:\/\/www.bassic-sax.info\">www.bassic-sax.info.<\/a> <span style=\"color: #66aaff;\">If you\u2019re looking for <\/span> <span style=\"color: #fe4899;\"> <strong>sax info<\/strong>,<\/span> you should <span style=\"color: #aaff66;\">check it out too.<\/span><span style=\"color: #fe4899;\">There\u2019s <em>lots<\/em> there! <\/span><\/div>\n<div style=\"clear: both;\">&nbsp;<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>I sometimes get asked by my friends why I like the rock &#8216;n roll of the 50s so much. The answer is very simple: The &hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[127],"tags":[653,174,661,630,662,26],"class_list":["post-26137","post","type-post","status-publish","format-standard","hentry","category-famous-not-so-famous-sax-players","tag-famous-not-so-famous-sax-players","tag-rock","tag-styles-of-saxophone-playing","tag-tenor-saxophone","tag-video","tag-youtube"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.5 - aioseo.com -->\n\t<meta name=\"description\" content=\"I sometimes get asked by my friends why I like the rock &#039;n roll of the 50s so much. The answer is very simple: The saxophone played such a dominant role in those bands, that I&#039;m automatically drawn to the music like that of no other decade. 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