{"id":14683,"date":"2023-07-20T10:48:33","date_gmt":"2023-07-20T17:48:33","guid":{"rendered":"https:\/\/bassic-sax.info\/version5\/?page_id=14683"},"modified":"2024-07-16T09:49:10","modified_gmt":"2024-07-16T16:49:10","slug":"conn-bass-saxophones","status":"publish","type":"page","link":"https:\/\/bassic-sax.info\/version5\/bass-sax-info\/vintage-bass-saxes\/conn-bass-saxophones\/","title":{"rendered":"Conn bass saxophones: models &#038; variations"},"content":{"rendered":"<table width=\"1287\" class=\"mtr-table mtr-tr-td\">\n<tbody>\n<tr>\n<td width=\"128\" data-mtr-content=\"Wonder Improved\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#wonder_improved\">Wonder Improved<\/a><\/div><\/td>\n<td width=\"178\" data-mtr-content=\"Wonder Improved #18547\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#no.18547\">Wonder Improved #18547<\/a><\/div><\/td>\n<td width=\"138\" data-mtr-content=\"New Invention\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#new_invention\">New Invention<\/a><\/div><\/td>\n<td width=\"212\" data-mtr-content=\"New Invention # 29386\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#no.29386\">New Invention # 29386<\/a><\/div><\/td>\n<td width=\"146\" data-mtr-content=\"New Wonder Series I\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#nw_seriesi\">New Wonder Series I<\/a><\/div><\/td>\n<td width=\"135\" data-mtr-content=\"NW #111397\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#no.111397\">NW #111397<\/a><\/div><\/td>\n<td width=\"160\" data-mtr-content=\"New Wonder Series II\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#nw_seriesii\">New Wonder Series II<\/a><\/div><\/td>\n<td width=\"190\" data-mtr-content=\"NW # M200XXX\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#no.200xxx\">NW # M200XXX<\/a><\/div><\/td>\n<\/tr>\n<tr>\n<td data-mtr-content=\"Wonder Improved\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#no.257599\">NW #M257599<\/a><\/div><\/td>\n<td style=\"border-style: dashed;\" data-mtr-content=\"Wonder Improved #18547\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"https:\/\/bassic-sax.info\/version5\/bass-sax-info\/vintage-bass-saxes\/conn-bass-saxophones\/2\/\">Conn Bass Design Evolution (page 2)<\/a><\/div><\/td>\n<td style=\"border-style: dashed;\" data-mtr-content=\"New Invention\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\">Bass #56518*<\/div><\/td>\n<td style=\"border-style: dashed;\" data-mtr-content=\"New Invention # 29386\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\">Evolution of Design Features*<\/div><\/td>\n<td style=\"border-style: dashed;\" data-mtr-content=\"New Wonder Series I\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\">Haynes Patent Stamp*<\/div><\/td>\n<td style=\"border-style: dashed;\" data-mtr-content=\"NW #111397\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\">Water Keys*<\/div><\/td>\n<td style=\"border-style: dashed;\" data-mtr-content=\"New Wonder Series II\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\">Bis Bb*<\/div><\/td>\n<td style=\"border-style: dashed;\" data-mtr-content=\"NW # M200XXX\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\">Fork Eb*<\/div><\/td>\n<\/tr>\n<tr>\n<td style=\"border-style: dashed;\" data-mtr-content=\"Wonder Improved\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\">Sink Trap Neck*<\/div><\/td>\n<td style=\"border-style: dashed;\" data-mtr-content=\"Wonder Improved #18547\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\">High F*<\/div><\/td>\n<td style=\"border-style: dashed;\" data-mtr-content=\"New Invention\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\">Right-Sided Bell Keys*<\/div><\/td>\n<td style=\"border-style: dashed;\" data-mtr-content=\"New Invention # 29386\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\">Left Pinkie Cluster*<\/div><\/td>\n<td style=\"border-style: dashed;\" data-mtr-content=\"New Wonder Series I\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\">Octave Key Shape*<\/div><\/td>\n<td style=\"border-style: dashed;\" data-mtr-content=\"NW #111397\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\">Bell to Body X Brace*<\/div><\/td>\n<td style=\"border-style: dashed;\" data-mtr-content=\"New Wonder Series II\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\">Neck X Brace*<\/div><\/td>\n<td style=\"border-style: dashed;\" data-mtr-content=\"NW # M200XXX\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\">Stencils &amp; Second Line Horns*<\/div><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>* All of these topics are found on <a href=\"https:\/\/bassic-sax.info\/version5\/bass-sax-info\/vintage-bass-saxes\/conn-bass-saxophones\/2\/\">page 2<\/a>.<\/strong><\/p>\n<p>Together with their Buescher cousins, Conns were THE American-made bass saxophones of the 1920s-30s. To this day vintage Conn bass saxophones keyed to high F\u2014the famed late-model 14M\u2014are still the most desirable of all saxophones built during the saxophone&#8217;s original golden age.&nbsp;<\/p>\n<h2>Conn Bass Saxophone Models<a id=\"wonder_improved\"><\/a><\/h2>\n<h3>Wonder Improved<\/h3>\n<p><a href=\"https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/conn-wonder-improved-family.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"14718\" data-permalink=\"https:\/\/bassic-sax.info\/version5\/bass-sax-info\/vintage-bass-saxes\/conn-bass-saxophones\/conn-wonder-improved-family\/\" data-orig-file=\"https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/conn-wonder-improved-family.jpg?fit=679%2C454&amp;ssl=1\" data-orig-size=\"679,454\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"conn wonder improved family\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/conn-wonder-improved-family.jpg?fit=679%2C454&amp;ssl=1\" class=\"alignnone wp-image-14718 size-full\" title=\"wonder improved cat. page\" src=\"https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/conn-wonder-improved-family.jpg?resize=679%2C454&#038;ssl=1\" alt=\"vintage catalogue page, C.G. Conn Co., Conn Wonder Improved System saxophones, line drawings of all Conn saxophones available circa 1915\" width=\"679\" height=\"454\" srcset=\"https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/conn-wonder-improved-family.jpg?w=679&amp;ssl=1 679w, https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/conn-wonder-improved-family.jpg?resize=300%2C201&amp;ssl=1 300w, https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/conn-wonder-improved-family.jpg?resize=449%2C300&amp;ssl=1 449w\" sizes=\"auto, (max-width: 679px) 100vw, 679px\" \/><\/a><\/p>\n<p>Although when we think of Conn bass saxophones we think mainly of the New Wonder Series of horns, Conn did make earlier ones as well. Although not well known or plentiful, the Conn Wonder Improved bass saxophone was indeed something that was available. Pete Hales discussed this model when he wrote his original Saxpics site. You can still find Pete&#8217;s original site materials on the Wonder Improved <a href=\"http:\/\/saxpics.com\/conn\/wonder.htm\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p>In September 2015, <a href=\"https:\/\/www.saxquest.com\/store\/category\/vintage-saxes-C18\" target=\"_blank\" rel=\"noopener\">Saxquest<\/a> sold the following Wonder Improved bass saxophone on eBay. <a id=\"no.18547\"><\/a><\/p>\n<h5>Model: Wonder Improved<\/h5>\n<h5>Serial #: 18547<\/h5>\n<h5>Finish: Nickel plated<\/h5>\n<h5>Key touches: Metal<\/h5>\n<h5>Tone holes: Soldered &amp; straight<\/h5>\n<h5>Water key: absent<\/h5>\n<h5>Neck attachment: from the top, like on a bari<\/h5>\n<h5>Range: Bb &#8211; Eb<\/h5>\n<h5>Description from ebay:<\/h5>\n<blockquote><p>This is a very cool early vintage C.G. Conn bass saxophone in nickel silver, serial number 18547. This is one of the earliest that we&#8217;ve seen in decent condition and a rare find with the union stamp on back. The serial number places the manufacturing date on this instrument to 1910. This bass might not be the prettiest looking horn but considering it is over 100 years old, it is in great shape. The original bow cap is in good shape as is the lower bow. Its body tube, bell and bell flare are also in very decent condition. The pictures do tell the story of this horn the best. It does show a history of repair. There has been some dent work around the horn as well as a number of re-solders. Some dings still remain and there are some smaller pushed in areas around a few of the bell key guards. This saxophone does include the original neck. The neck has a few small dings but has never been seriously pulled down.<\/p><\/blockquote>\nngg_shortcode_0_placeholder\n<h3><a id=\"new_invention\"><\/a>New Invention<\/h3>\n<p>After the fire of 1910 that destroyed the Conn plant, <a href=\"http:\/\/saxpics.com\/conn\/newinvention.htm\" target=\"_blank\" rel=\"noopener\">a new series of saxophones was built<\/a> to celebrate the rebirth of the company&#8217;s plant. Full of features that would only be present for a short while, these New Invention horns were a tribute to the company&#8217;s ability to rise from the ashes like a phoenix.<\/p>\n<p>However, were there any bass saxophones built under this New Invention moniker? Nothing I have read would indicate there were. That said, this looks to me like this one that appeared on eBay in September 2014, was indeed a New Invention. Judge for yourself.<a id=\"no.29386\"><\/a><\/p>\n<h5>Model: New invention<\/h5>\n<h5>Serial #: 29386<\/h5>\n<h5>Finish: relacqured&nbsp;<\/h5>\n<h5>Key touches: MOP<\/h5>\n<h5>Tone holes: Soldered &amp; straight<\/h5>\n<h5>Water key: absent<\/h5>\n<h5>Fork Eb: Present<\/h5>\n<h5>Neck attachment: from the top, like on a bari<\/h5>\n<h5>Range: Bb &#8211; Eb<\/h5>\n<h5>Description from ebay:<\/h5>\n<blockquote><p>Offered for your consideration is this c1913-14 C.G. Conn Bass Saxophone with High F Key I believe &#8230;this was a High School instrument at one time&#8230;.it does show use and has some dents&#8230;. also has several old solder repairs but look to have been professionally done&#8230;.I am sure it will need pads and corks&#8230;<\/p><\/blockquote>\n<p>&nbsp;<\/p>\nngg_shortcode_1_placeholder\n<h3><a id=\"nw_seriesi\"><\/a>New Wonder &#8211; 14M Series I<\/h3>\n<p><a href=\"https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/1927-catalogue-screenshot.png?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"14720\" data-permalink=\"https:\/\/bassic-sax.info\/version5\/bass-sax-info\/vintage-bass-saxes\/conn-bass-saxophones\/1927-catalogue-screenshot\/\" data-orig-file=\"https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/1927-catalogue-screenshot.png?fit=826%2C555&amp;ssl=1\" data-orig-size=\"826,555\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"1927 catalogue screenshot\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/1927-catalogue-screenshot.png?fit=826%2C555&amp;ssl=1\" class=\"alignnone wp-image-14720 size-full\" title=\"conn saxophone family\" src=\"https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/1927-catalogue-screenshot.png?resize=826%2C555&#038;ssl=1\" alt=\"vintage catalogue page, New Wonder saxophone family, colour drawings of all Conn saxophones available circa 1920s, 14M bass saxophone, \" width=\"826\" height=\"555\" srcset=\"https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/1927-catalogue-screenshot.png?w=826&amp;ssl=1 826w, https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/1927-catalogue-screenshot.png?resize=300%2C202&amp;ssl=1 300w, https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/1927-catalogue-screenshot.png?resize=768%2C516&amp;ssl=1 768w, https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/1927-catalogue-screenshot.png?resize=446%2C300&amp;ssl=1 446w\" sizes=\"auto, (max-width: 826px) 100vw, 826px\" \/><\/a><\/p>\n<p>After the sale of Conn to Carl Greenleaf in 1915, things changed radically in saxophone production at the Conn plant. Again I will point to Pete&#8217;s <a href=\"http:\/\/saxpics.com\/conn\/new_wonder1.htm\" target=\"_blank\" rel=\"noopener\">original work in Saxpics<\/a> for you to read a full history, but I&#8217;ll quote the most salient features for you here:<\/p>\n<blockquote><p>&nbsp;.<strong>..the best definition I can come up for for &#8220;true&#8221; New Wonder horns is that they must have the <a href=\"https:\/\/patents.google.com\/patent\/US1119954A\/en?inventor=William+S+Haynes\" target=\"_blank\" rel=\"noopener\">Haynes patent<\/a> [for drawn tone holes] stamped on the back of them and have rolled tone holes. If these are missing, the horn is a Wonder model.<\/strong><\/p>\n<p><strong>Characteristics:<\/strong><br \/>\n&#8211; Pearl keys appeared around 1917<br \/>\n&#8211; Single octave key<br \/>\n&#8211; Rolled tone holes (feature found on all pitches around 1919)<br \/>\n&#8211; Standard front F altissimo key on alto and tenor<br \/>\n&#8211; Horns are now engraved &#8220;C.G. Conn, Ltd.&#8221;, instead of &#8220;C.G. Conn&#8221;<br \/>\n&#8211; &#8220;Smooth&#8221; G# key. The nail-file G# is a characteristic of the &#8220;Series II&#8221; New Wonder horns.<a id=\"finishes\"><\/a><\/p>\n<p><strong>Finish Choices (all from a March, 1922 catalog, unless otherwise marked):<\/strong><br \/>\n000 &#8211; Virtuoso Deluxe (introduced around 1922 for the C melody and on all models by the end of 1924 ): &#8220;Furnished only on special orders and prices quoted on request.&#8221; Heavily gold plated over all, hand burnished over all. Each and every key inlaid with special choice and carefully selected pearls. Highest class hand engraving on bell of instrument, as well as a greater portion of the body, all of which is a special design and of the highest character.&nbsp;<br \/>\n00 &#8211; Artist&#8217;s Special (&#8220;Burnished Gold&#8221;): Heavily gold plated, hand burnished over all, pearl inlaid keys, pearl rollers, bell richly hand-engraved. Inside of bell, engraving background, keys, posts and ferrules hand burnished.<br \/>\n0 &#8211; Artist Finish (&#8220;Satin Gold&#8221;): Heavily gold plated over all, pearl inlaid keys and rollers, bell richly hand-engraved. Inside of bell engraving background, keys, posts and ferrules hand burnished.<br \/>\n1 (&#8220;Silver &amp; Gold&#8221;): Body heavily silver plated, sand blast velvet finish, bell richly engraved, pearl finger tips, pearl rollers. Inside of bell, engraving background keys and ferrules gold-plated and burnished.<br \/>\n2 (&#8220;Silver, Gold Bell&#8221;): Body heavily silver plated, sand blast velvet finish, bell richly engraved, inside of bell gold plated [and] burnished. [E]ngraving background, keys, posts and ferrules hand burnished. Keys inlaid with pearl and pearl rollers.<br \/>\n3 : Quadruple silver plated over all, sand blast finish; interior of bell and points hand burnished, finger tips pearl inlaid, and on saxophones, pearl rollers. On woodwinds this finish symbol represents heavily silver plated keys, posts and rods, hand burnished. (Not advertised in any catalog I have.)<br \/>\n4 : Highly polished brass throughout, pearl inlaid finger tips and pearl rollers.<br \/>\n5 : Gold brass, highly polished, nickel-trimmed. (Not advertised in any catalog I have.)<br \/>\n6 : Body heavily nickel plated and highly polished, pearl inlaid finger tips, pearl rollers.<\/p>\n<p><span style=\"font-size: 10pt;\">Source: <a href=\"http:\/\/saxpics.com\/conn\/new_wonder1.htm\" target=\"_blank\" rel=\"noopener\">http:\/\/saxpics.com\/conn\/new_wonder1.htm<\/a><\/span><\/p><\/blockquote>\n<p>&nbsp;This stunningly-beautiful, New Wonder Series I, 14M bass, was sold by <a href=\"https:\/\/www.brassandwinds.com\/\" target=\"_blank\" rel=\"noopener\">The Mighty Quinn Brass and Winds<\/a> on eBay in March 2017. Yes, it is burnished gold.<a id=\"no.111397\"><\/a><\/p>\n<h5>Model: New wonder series I<\/h5>\n<h5>Serial #: 111397<\/h5>\n<h5>Finish: 00 &#8211; Artist&#8217;s special<\/h5>\n<h5>Key touches: MOP<\/h5>\n<h5>Tone holes: Drawn &amp; rolled<\/h5>\n<h5>Water key: present<\/h5>\n<h5>Fork Eb: Present<\/h5>\n<h5>Neck attachment: from the top, like on a bari<\/h5>\n<h5>Range: Bb &#8211; Eb<\/h5>\n<h5>Description from ebay:<\/h5>\n<blockquote><p>HOLY COW! Here is a MAGNIFICENT Conn bass saxophone. Have you ever seen anything like this? Original gold plate is 90%+ present and looks very good-there are a couple of spots of wear and some resolders but nothing too significant. Incredible custom engraving of Psyche from Greek myth on the bell looks incredible-this is the only custom-engraved bass sax I&#8217;ve ever seen. Tone holes are rolled and this horn plays just like a vintage Conn bass-it plays great! Big, dark sound. Pads and action have just been adjusted and this magnificent instrument is ready to play.<\/p><\/blockquote>\nngg_shortcode_2_placeholder\n<h3><a id=\"nw_seriesii\"><\/a>New Wonder &#8211; 14M Series II<\/h3>\n<p><a href=\"https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/conn-bass-ad.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"14919\" data-permalink=\"https:\/\/bassic-sax.info\/version5\/bass-sax-info\/vintage-bass-saxes\/conn-bass-saxophones\/conn-bass-ad-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/conn-bass-ad.jpg?fit=430%2C600&amp;ssl=1\" data-orig-size=\"430,600\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"conn-bass-ad\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/conn-bass-ad.jpg?fit=430%2C600&amp;ssl=1\" class=\"alignnone wp-image-14919 size-full\" title=\"14M cat page\" src=\"https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/conn-bass-ad.jpg?resize=430%2C600&#038;ssl=1\" alt=\"vintage catalogue page, New Wonder Series II, Conn14M bass saxophone, \" width=\"430\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/conn-bass-ad.jpg?w=430&amp;ssl=1 430w, https:\/\/i0.wp.com\/bassic-sax.info\/version5\/wp-content\/uploads\/2023\/07\/conn-bass-ad.jpg?resize=215%2C300&amp;ssl=1 215w\" sizes=\"auto, (max-width: 430px) 100vw, 430px\" \/><\/a><\/p>\n<p>It isn&#8217;t at all surprising that the Series II bass saxophones don&#8217;t follow the conventional evolution of the New Wonder <a href=\"http:\/\/saxpics.com\/conn\/new_wonder2.htm\" target=\"_blank\" rel=\"noopener\">that Pete outlined<\/a>. That said, the finishes would have been the same as <a href=\"#finishes\">those listed for the Series I<\/a>.<\/p>\n<p>While true they did adopt the nail file G# key, the New Wonder series II bass saxophones had a number of features that came at various times through the production run. These include:<\/p>\n<ul>\n<li>Addition of a bis Bb key.<a href=\"#bis\"><sup>1<\/sup><\/a><\/li>\n<li>Larger internal diameter of neck.&nbsp;<sup><a href=\"#smaller\">2<\/a>\/<a href=\"#uwe3\">3<\/a><\/sup><\/li>\n<li>Sink trap neck, which changed the neck attachment from the top like on the baritone, to insertion from the bottom.<\/li>\n<li>Increased range to high F.<\/li>\n<li>Having both the low B and Bb keys located on the right side of the bell.<\/li>\n<\/ul>\n<p>Back in the fall of 2011, the <a href=\"https:\/\/brassandwoodwind.ca\/\" target=\"_blank\" rel=\"noopener\">shop<\/a> where exactly a decade later I would buy my Couf Superba I bass, listed this Conn Series II for sale. At the time the staff spoke to me about the horn, and asked for my input. I suspect they secretly hoped that I would want it. Although I must admit I kind of did, I am very glad I held out for the Keilwerth I have now. <a id=\"no.200xxx\"><\/a><\/p>\n<h5>Model: New wonder series II<\/h5>\n<h5>Serial #: M200XXX<\/h5>\n<h5>Finish: relacquer&nbsp;<\/h5>\n<h5>Key touches: MOP<\/h5>\n<h5>Tone holes: Drawn &amp; rolled<\/h5>\n<h5>Water key: present<\/h5>\n<h5>Fork Eb: Present<\/h5>\n<h5>Neck attachment: from the Bottom, AKA, sink trap neck<\/h5>\n<h5>Range: Bb &#8211; Eb<\/h5>\n<h5>Description from the shop&#8217;s website:<\/h5>\n<blockquote><p>Serial No. M200XXX (1927) Low pitch New Wonder Series II<\/p>\n<p>Nail file G# Rolled tone holes Has &#8220;biss&#8221; key<\/p>\n<p>All pads in good condition No major dents<\/p>\n<p>Originally a bare-brass instrument &#8211; now has age darkened lacquer with little wear in the lacquer<\/p>\n<p>Includes a vintage case which is likely the original case.<br \/>\nIt has been recovered and is in pretty good structural shape for its age.<\/p>\n<p>Also includes a mouthpiece, ligature and cap. However, the mouthpiece is cracked<br \/>\nand is glued and taped together. It does work though.<\/p>\n<p>Also includes stand as seen in photos<\/p><\/blockquote>\n<p>Of all the possible features a Series II bass saxophone could have, it is missing about half.<\/p>\n<ul>\n<li>It is not keyed to high F.<\/li>\n<li>It does not have right-sided bell keys.<\/li>\n<\/ul>\nngg_shortcode_3_placeholder\n<h5><a id=\"no.257599\"><\/a>Model: New wonder series II<\/h5>\n<h5>Serial #: M257599<\/h5>\n<h5>Finish: relacquer&nbsp;<\/h5>\n<h5>Key touches: MOP<\/h5>\n<h5>Tone holes: Drawn &amp; rolled<\/h5>\n<h5>Water key: present<\/h5>\n<h5>Fork Eb: Present<\/h5>\n<h5>Neck attachment: from the Bottom, AKA, sink trap neck<\/h5>\n<h5>Range: Bb &#8211; F<\/h5>\n<h5>Description<\/h5>\n<p>This particular 14M is an example of a horn that appears to have almost all the possible features that a Series II, 14M bass could have:<\/p>\n<ul>\n<li>Bis Bb<\/li>\n<li>Sink trap neck<\/li>\n<li>Keyed to high F<\/li>\n<li>Right-sided bell keys<\/li>\n<li>Fork Eb key<\/li>\n<\/ul>\n<p>Additionally, one feature it has that is not stock is its finish. Lacquer was not an option back in the day of the bass saxophones. This bass most likely got a factory (re)lacquer at some point in its life, since it would have started out its life as a bare brass horn (Finish 4).&nbsp;<\/p>\nngg_shortcode_4_placeholder\n<hr>\n<p><span style=\"font-size: 10pt;\"><sup><a id=\"bis\"><\/a>1<\/sup> The bis Bb may be present in earlier horns as well, but it is somewhat hit and miss\u2014just like the water and fork Eb keys.<a id=\"smaller\"><\/a><\/span><br \/>\n<span style=\"font-size: 10pt;\"><sup>2<\/sup> The smaller diameter of the neck on the earlier horns allowed for use of baritone saxophone mouthpieces.<a id=\"uwe3\"><\/a><\/span><br \/>\n<span style=\"font-size: 10pt;\"><sup>3<\/sup> Source: Saxophone: Ein Kompendium, Fifth Edition, Uwe Ladwig, page 33.<\/span><\/p>\n<p><!--nextpage--><\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 84px;\" class=\"mtr-table mtr-tr-td\">\n<tbody>\n<tr style=\"height: 28px;\">\n<td style=\"width: 16.6667%; height: 28px;\" data-mtr-content=\"Bass #56518\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#bass56518\">Bass #56518<\/a><\/div><\/td>\n<td style=\"width: 16.6667%; height: 28px;\" data-mtr-content=\"Evolution of Design Features\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#evol_design_features\">Evolution of Design Features<\/a><\/div><\/td>\n<td style=\"width: 16.6667%; height: 28px;\" data-mtr-content=\"Haynes Patent Stamp\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#haynes\">Haynes Patent Stamp<\/a><\/div><\/td>\n<td style=\"width: 16.6667%; height: 28px;\" data-mtr-content=\"Water Keys\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#water\">Water Keys<\/a><\/div><\/td>\n<td style=\"width: 16.6667%; height: 28px;\" data-mtr-content=\"Bis Bb\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#bis\">Bis Bb<\/a><\/div><\/td>\n<td style=\"width: 16.6667%; height: 28px;\" data-mtr-content=\"Fork Eb\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#fork\">Fork Eb<\/a><\/div><\/td>\n<\/tr>\n<tr style=\"height: 28px;\">\n<td style=\"width: 16.6667%; height: 28px;\" data-mtr-content=\"Bass #56518\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#sink\">Sink Trap Neck<\/a><\/div><\/td>\n<td style=\"width: 16.6667%; height: 28px;\" data-mtr-content=\"Evolution of Design Features\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#highF\">High F<\/a><\/div><\/td>\n<td style=\"width: 16.6667%; height: 28px;\" data-mtr-content=\"Haynes Patent Stamp\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#bellkeys\">Right-sided Bell Keys<\/a><\/div><\/td>\n<td style=\"width: 16.6667%; height: 28px;\" data-mtr-content=\"Water Keys\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#left_pinkie\">Left Pinkie Cluster<\/a><\/div><\/td>\n<td style=\"width: 16.6667%; height: 28px;\" data-mtr-content=\"Bis Bb\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#shapes\">Octave Key Shapes<\/a><\/div><\/td>\n<td style=\"width: 16.6667%; height: 28px;\" data-mtr-content=\"Fork Eb\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#bell_to_body_X\">Bell to Body X Brace<\/a><\/div><\/td>\n<\/tr>\n<tr style=\"height: 28px;\">\n<td style=\"width: 16.6667%; height: 28px;\" data-mtr-content=\"Bass #56518\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#neckX\">Neck X Brace<\/a><\/div><\/td>\n<td style=\"width: 16.6667%; height: 28px;\" data-mtr-content=\"Evolution of Design Features\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\"><a href=\"#stencils\">Stencils &amp; Second Line Horns<\/a><\/div><\/td>\n<td style=\"width: 16.6667%; height: 28px;\" data-mtr-content=\"Haynes Patent Stamp\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\">\u00a0<\/div><\/td>\n<td style=\"width: 16.6667%; height: 28px;\" data-mtr-content=\"Water Keys\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\">\u00a0<\/div><\/td>\n<td style=\"width: 16.6667%; height: 28px;\" data-mtr-content=\"Bis Bb\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\">\u00a0<\/div><\/td>\n<td style=\"width: 16.6667%; height: 28px;\" data-mtr-content=\"Fork Eb\" class=\"mtr-td-tag\"><div class=\"mtr-cell-content\">\u00a0<\/div><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>Commentary about Conn bass saxophone design evolution<\/h3>\n<p>Conn built their bass saxophones for approximately 40 years <a href=\"#uwe4\"><sup>4&nbsp;<\/sup><\/a>, therefore, like in any of the other saxophone voices, we are bound to see variations. However, unlike altos, tenors, and even baris, with bass saxophones the numbers are simply too small to make broad conclusions like: horn X is a <em>transitional<\/em> horn, or all Series II horns have feature Y.&nbsp;<\/p>\n<p>Furthermore, as Uwe points out <a href=\"#uwe5\"><sup>5<\/sup><\/a>, because Conn had bass saxes in their warehouse that were only assigned a serial number later, it is not uncommon to see a horn with a serial number you would expect to find in a Series II era bass, but with Series I era features.<\/p>\n<p>Based on what I&#8217;ve seen while researching the Conn saxophones for this page, the bass saxophones that Conn had in their warehouse were not necessarily finished ones. Instead they were likely in various states of completion, with some being body tubes only. As orders came in, keys and other features would then be fitted to the horn\u2014resulting in what some may (I would suggest wrongly) call <em>transitional<\/em> horns.&nbsp;<\/p>\n<p>This would be the most likely explanation for horns such as the following bass sold by Instrument Attic on eBay in October 2015:<a id=\"bass56518\"><\/a><\/p>\n<h5>Model: ?&nbsp;<\/h5>\n<h5>Serial #: 56518<\/h5>\n<h5>Finish: 1 (&#8220;Silver &amp; Gold&#8221;)<\/h5>\n<h5>Key touches: MOP<\/h5>\n<h5>Tone holes: Soldered<\/h5>\n<h5>Water key: Absent<\/h5>\n<h5>Fork Eb: Present<\/h5>\n<h5>Neck attachment: from the top, like on a bari<\/h5>\n<h5>Range: Bb &#8211; Eb<\/h5>\n<h5>Description from eBay:<\/h5>\n<blockquote><p>This magnificent low-pitch CG Conn Ltd bass saxophone has just been fully restored: it&#8217;s stunningly gorgeous, a dream to play, and very collectible with its original case, mouthpiece, and matching numbers.<\/p>\n<p>&nbsp;<\/p>\n<p>Conns are known as the best vintage bass saxes, and you&#8217;ll notice this one is a very rare &#8220;Finish 1&#8221; with hand-burnished, gold-plated keys, rods, interior of bell, and background of bell engraving, all on a quadruple silver plated &#8220;velvet&#8221; finish body.<\/p>\n<p>&nbsp;<\/p>\n<p>The sax has been very well cared for and maintained over the years, and was most recently owned for decades by a professional symphony musician. It has matching serial numbers on the body, neck, and octave key. It appears to have been originally owned by the US military, as it has matching characters engraved on each side of the bow fin as well as beneath the neck cork. The original case and &#8220;Eagle&#8221; mouthpiece are each very highly valued, but I will only sell them together with this collector horn.<\/p><\/blockquote>\n<p>This horn is a beautiful example of how we can see a mix and match bunch of features in some Conn bass saxophones. My best guess would be that it was built with a New Invention or Wonder Improved body tube, since it is lacking the 1914 Haynes patent. Therefore, regardless of any other features it may or may not have, it is NOT a New Wonder. Period. Full stop.<\/p>\nngg_shortcode_5_placeholder\n<h3><a id=\"evol_design_features\"><\/a>The evolution of Conn bass saxophone design features<\/h3>\n<p>As noted, Conn&#8217;s design of their bass saxophones did not stagnate. As a matter of fact, their design evolved quite a bit in the nearly 40 years of bass production.<\/p>\n<p>Although by no means a complete list, here is an illustrated, partial listing of the features that I&#8217;ve found:<a id=\"haynes\"><\/a><\/p>\n<h5><a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-new-wonder-series-i-bass-111397\/CBS-1113979-scaled.jpg\" target=\"_blank\" rel=\"noopener\">Haynes Patent Stamp<\/a>&nbsp; &nbsp;<\/h5>\n<p>This is the big one. It denotes <a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-nw-series-ii-bass-m257599\/Right-Palm-Chromatic-F-Sharp-Key.jpg\" target=\"_blank\" rel=\"noopener\">drawn\u2014and most commonly rolled\u2014tone holes<\/a>. Prior to this, the saxes had <a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-wonder-improved-bass-18547-1\/Bow-Guard-Low-C-Tone-Hole.jpg\" target=\"_blank\" rel=\"noopener\">soldered tone holes<\/a>. (Patent <a href=\"https:\/\/patentimages.storage.googleapis.com\/a8\/6f\/6b\/8727764c9c69bb\/US1119954.pdf\" target=\"_blank\" rel=\"noopener\">PDF here, on Google Patents<\/a>.)<a id=\"water\"><\/a><\/p>\n<h5><a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-new-wonder-series-i-bass-111397\/CBS-11139738-scaled.jpg\" target=\"_blank\" rel=\"noopener\">Water Keys<\/a><\/h5>\n<p>The early bass saxes <a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-wonder-improved-bass-18547-1\/Socket-Pig-Tail.jpg\" target=\"_blank\" rel=\"noopener\">did not have a water key<\/a>. According to Uwe Ladwig, <a href=\"#uwe6\"><sup>6<\/sup><\/a> that feature was added in 1920.<a id=\"bis\"><\/a><\/p>\n<h5><a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-nw-series-ii-bass-m257599\/Left-Hand-Keys.jpg\" target=\"_blank\" rel=\"noopener\">Bis Bb key<\/a><\/h5>\n<p>The bis Bb was added the same year as the water key: 1920.<a href=\"#uwe7\"><sup>7<\/sup><\/a> <a id=\"fork\"><\/a><\/p>\n<h5><a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-new-wonder-series-i-bass-111397\/CBS-11139727-scaled.jpg\" target=\"_blank\" rel=\"noopener\">Fork Eb<\/a><\/h5>\n<p>Conn bass saxophones had their fork Eb key located at the front of the bow\u2014basically opposite to the Eb tone hole located at the back of the bow. According to players this led to a cleaner Eb, unlike the fuzzy note that was associated with <a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/1921-gold-buescher-bass-from-ebay-june-03909\/bow-left-side.jpg\" target=\"_blank\" rel=\"noopener\">Buescher&#8217;s location of the key on the left side of the body tube<\/a>. (Which often led to the key being corked shut to prevent leaking.)<br \/>\n<a id=\"sink\"><\/a><\/p>\n<h5><a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-nw-series-ii-bass-200xxx\/Sink-Trap-Neck-2.jpg\" target=\"_blank\" rel=\"noopener\">Sink trap neck<\/a><\/h5>\n<p>It was in 1925 that Conn changed their bass sax design to incorporate a sink trap neck. According to Uwe Ladwig, this resulted in the instrument being 2,5 cm shorter overall. The tone hole array had been modified previously.&nbsp;<sup><a href=\"#uwe8\">8<\/a>&nbsp;<\/sup> <a id=\"highF\"><\/a><\/p>\n<h5><a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-nw-series-ii-bass-m257599\/Left-Palm-Keys-1.jpg\" target=\"_blank\" rel=\"noopener\">High F<\/a><\/h5>\n<p>It was in 1926\/27 that the desirable high F was added to the 14M New Wonder Series II bass saxophone.<a href=\"#uwe9\"><sup>9<\/sup><\/a> Prior to this the Conn bass saxes were keyed to high Eb only, and had their <a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-new-wonder-series-i-bass-111397\/CBS-11139754-scaled.jpg\" target=\"_blank\" rel=\"noopener\">left palm keys in a different layout<\/a>. <a id=\"bellkeys\"><\/a><\/p>\n<h5><a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-nw-series-ii-bass-m257599\/Rear-Partial-Right-Side-Views.jpg\" target=\"_blank\" rel=\"noopener\">Right-sided bell keys<\/a><\/h5>\n<p>It was circa. 1930 that the low B and Bb were moved to the right side of the bell.&nbsp;<sup><a href=\"#uwe10\">10<\/a>&nbsp;<\/sup> <a id=\"left_pinkie\"><\/a><\/p>\n<h5>Left pinkie cluster&nbsp;<\/h5>\n<p>While researching Conn bass saxophones through their evolution to the coveted 14M series, I have observed a number of different left pinkie clusters. They ranged from the primitive, like <a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-wonder-improved-bass-18547-1\/Left-Pinkie-Cluster-Straight-Tone-Holes-in-Detail.jpg\" target=\"_blank\" rel=\"noopener\">this one, with 2 rollers, from the earliest model<\/a> (Wonder Improved); to a<a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-new-invention-bass-29386\/Left-Pinkie-Cluster-Bell-to-Body-Support-Brace.jpg\" target=\"_blank\" rel=\"noopener\"> slightly more improved version, with 3 rollers<\/a> on this [presumptive] New Invention; to the <a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-new-wonder-series-i-bass-111397\/CBS-1113977-scaled.jpg\" target=\"_blank\" rel=\"noopener\">greatly improved cluster, with 4 rollers<\/a> from the New Wonder Series I; and then finally the New Wonder Series II with its <a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-nw-series-ii-bass-m257599\/Left-Pinkie-Cluster.jpg\" target=\"_blank\" rel=\"noopener\">nail file G#<\/a>. <a id=\"shapes\"><\/a><\/p>\n<h5>Octave key shape<\/h5>\n<p><em>NB: It should be noted here that all the horns I have seen have automatic octave mechanisms. Are there bass saxophones that have 2 manual octave keys? Quite possibly. I just haven&#8217;t seen any.&nbsp;<\/em><\/p>\n<p>To date I have observed 2 different kinds of octave key shapes in the Conn bass saxophones. The earliest is kind of a <a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-wonder-improved-bass-18547-1\/Left-Thumb-Rest-Octave-Lever.jpg\" target=\"_blank\" rel=\"noopener\">teardrop<\/a>. The second is <a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-new-wonder-series-i-bass-111397\/CBS-11139786-scaled.jpg\" target=\"_blank\" rel=\"noopener\">shaped around the left thumb rest button<\/a>. However, early NW basses still had the old style teardrop octave lever. Like other features on the bass saxophones from Conn, there is not necessarily a clear delineation of when this feature changed from one to another. <a id=\"bell_to_body_X\"><\/a><\/p>\n<h5><a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-nw-series-ii-bass-200xxx\/Bell-To-Body-Support-Brace-Right-Side-View.jpg\" target=\"_blank\" rel=\"noopener\">Bell to body X bracing<\/a><\/h5>\n<p>A quick and dirty way for players to recognize if someone is playing a Conn bass sax is to look for the bell to body X bracing. However, before Conn started using the 2 X braces, they used a <a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-wonder-improved-bass-18547-1\/Bell-to-Body-Support-Brace-Right-Side-View.jpg\" target=\"_blank\" rel=\"noopener\">single conventional bell to body brace<\/a> on their bass saxophones.<\/p>\n<p>From what I have observed these X braces coincide with the New Wonder Series I horns, and then carried on for the rest of the production run. <a id=\"neckX\"><\/a><\/p>\n<h5><a href=\"https:\/\/bassic-sax.info\/version5\/wp-content\/gallery\/conn-nw-series-ii-bass-m257599\/Neck-Underside-View.jpg\" target=\"_blank\" rel=\"noopener\">Neck X brace<\/a><\/h5>\n<p>At some point in the production of the sink trap neck, Conn added an X brace. Earlier versions, such as <a href=\"https:\/\/i0.wp.com\/bassic-sax.info\/blog\/wp-content\/uploads\/2012\/07\/Conn-14M-Bass-154026-38.jpg?resize=1536%2C1018&amp;ssl=1\" target=\"_blank\" rel=\"noopener\">New Wonder Series II, 154026<\/a>, that Brian at <a href=\"https:\/\/www.getasax.com\/\" target=\"_blank\" rel=\"noopener\">Get A Sax<\/a> sold, clearly doesn&#8217;t have it. <a id=\"stencils\"><\/a><\/p>\n<h3>Stencils &amp; second line horns<\/h3>\n<p>Conn made their own second line brand, Pan American, as well as stencil horns, for a great many manufacturers. This are discussed separately on the <a href=\"https:\/\/bassic-sax.info\/version5\/bass-sax-info\/vintage-bass-saxes\/conn-second-line-stencil-bass-saxophones\/\">Second Line &amp; Stencil Bass Saxophones By Conn page<\/a>. <a id=\"uwe4\"><\/a><\/p>\n<hr>\n<p><span style=\"font-size: 10pt;\"><sup><a id=\"uwe5\"><\/a>4<\/sup> Source: Saxophone: Ein Kompendium, Fifth Edition, Uwe Ladwig, page 33.<\/span><br \/>\n<span style=\"font-size: 10pt;\"><sup><a id=\"uwe6\"><\/a>5<\/sup> Ibid.<\/span><br \/>\n<span style=\"font-size: 10pt;\"><sup><a id=\"uwe7\"><\/a>6<\/sup> Ibid.<\/span><br \/>\n<span style=\"font-size: 10pt;\"><sup><a id=\"uwe8\"><\/a>7<\/sup> Ibid.<\/span><br \/>\n<span style=\"font-size: 10pt;\"><sup><a id=\"uwe9\"><\/a>8&nbsp;<\/sup>Ibid.<\/span><br \/>\n<span style=\"font-size: 10pt;\"><sup><a id=\"uwe10\"><\/a>9 <\/sup>Ibid.<\/span><br \/>\n<span style=\"font-size: 10pt;\"><sup><a id=\"haynes\"><\/a>10 <\/sup>Ibid.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wonder Improved Wonder Improved #18547 New Invention New Invention # 29386 New Wonder Series I NW #111397 New Wonder Series II NW # M200XXX NW&hellip;<\/p>\n","protected":false},"author":3,"featured_media":14734,"parent":80,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-14683","page","type-page","status-publish","has-post-thumbnail","hentry"],"aioseo_notices":[],"jetpack_shortlink":"https:\/\/wp.me\/P30OPe-3OP","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/bassic-sax.info\/version5\/wp-json\/wp\/v2\/pages\/14683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bassic-sax.info\/version5\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bassic-sax.info\/version5\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bassic-sax.info\/version5\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/bassic-sax.info\/version5\/wp-json\/wp\/v2\/comments?post=14683"}],"version-history":[{"count":0,"href":"https:\/\/bassic-sax.info\/version5\/wp-json\/wp\/v2\/pages\/14683\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/bassic-sax.info\/version5\/wp-json\/wp\/v2\/pages\/80"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bassic-sax.info\/version5\/wp-json\/wp\/v2\/media\/14734"}],"wp:attachment":[{"href":"https:\/\/bassic-sax.info\/version5\/wp-json\/wp\/v2\/media?parent=14683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}