{"id":1488,"date":"2009-11-02T15:32:01","date_gmt":"2009-11-02T22:32:01","guid":{"rendered":"http:\/\/bassic-sax.info\/version5\/?page_id=1488"},"modified":"2021-01-07T10:01:25","modified_gmt":"2021-01-07T12:01:25","slug":"keilwerth","status":"publish","type":"page","link":"https:\/\/bassic-sax.info\/version5\/bass-sax-info\/modern-bass-saxes\/european-made\/keilwerth\/","title":{"rendered":"J. Keilwerth"},"content":{"rendered":"

Julius Keilwerth Bass Saxophone SX 90<\/span><\/p>\n

The Keilwerth SX 90 is one of only a handful of professional model bass saxophones still made in Europe.<\/p>\n

In 2006 an owner of a Keilwerth bass saxophone sent an email to the company enquiring about his horn, and the history Keilwerth bass saxophones in general. At the time an employee from Keilwerth replied that the company started making bass saxophones in 1970. This is in fact incorrect. In a recent email exchange I had with Uwe Ladwig<\/a>\u2014German saxophonist, repair tech, producer, and former writer for the German music magazine Sonic Sax & Brass<\/a>\u2014he informed me that Keilwerth’s bass history in fact goes much further back this.<\/p>\n

According to Julius Keilwerth’s grandson Gerhard, Keilwerth was producing bass saxophones as far back as the 1920s. As a matter of fact, Uwe has a Keilwerth catalogue from 1935 that lists the bass saxophone in it.<\/p>\n

In 2006 Keilwerth reported that they were making only 2 or 3 bass saxophones annually.\u00b9 Uwe confirmed this number, and said that approximately 100-150 Keilwerth bass saxophones have been built to date. These low production numbers may in part be due to the horns’ design.<\/p>\n

Keilwerth’s bass saxophones are based on the vintage American style. They are not what are commonly referred to as short,<\/em> or French<\/em> wrap<\/a> horns like those that Selmer produces.<\/p>\n

Bear, the owner of Cybersax, gives us a really good definition of what the term wrap means, and how the French and American wraps differ in sound:<\/p>\n

By \u2018wrap\u2019 we refer to the spots at which the instrument\u2019s designers choose to place the bends in body tubing in order to produce an instrument with keywork that is both mechanically efficient AND ergonomically \u2018friendly\u2019 to the player. Compared to the American bass saxophones [the] Selmer\u2026design produces a little \u2018tamer\u2019 sound, probably more suited to classical (think a bowed string bass) or \u2018legit\u2019 applications than to roaring out lines we associate with the modern electric bass.<\/p>\n

Source: Cybersax<\/span><\/p><\/blockquote>\n

\"bass<\/a><\/p>\n

Source: eBay.com<\/span><\/p>\n

Keilwerth bass saxes are keyed to high Eb, and have what is often called a sink trap<\/em> neck.<\/p>\n

\"Keilwerth,<\/a><\/p>\n

Source: eBay.com<\/span><\/p>\n

While playing high E and F on a bass is not difficult using altissimo fingerings, many players do prefer to have a sax keyed to high F, or even high F#. For those players, the Keilwerth is automatically out of the running.<\/p>\n

According to the company’s website in 2009, the SX 90’s specifications are as follows:<\/p>\n