A Vintage Sax Hiding Amongst The China

This morning I was checking out some saxophone pics on Flickr. After pouring over what seemed like hundreds of boring, half-assed, sometimes blurry photos posted on the social media site, (What’s that about anyway? Why don’t people put only their best pics up for others to see, rather than the visual equivalent of verbal diarrhea? But I digress…) I happened across this vintage sax shot from Vienna.

EyeOTBeholder spotted this vintage diamond in the rough, amongst the vintage china pieces at a flea market in 2009.

Am Flohmarkt #1

vintage sax, alto saxophone, vintage china, flea market, tables, figurines, shoppers, Vienna Austria

Photography by: EyeOTBeholder  Source: Flickr

Unfortunately it’s very hard to make out many details on the horn. Here is a list though, of what features I could distinguish on this vintage sax:

  • It is most likely silver plated;
  • The body is most likely matte finished, while the keys are highly polished;
  • It has rolled tone holes;
  • It has split bell keys;
  • It appears to have a G# trill key;
  • The bell to body support brace is the same shape as we see on the Hohner President, and a number of other German saxophones;
  • It has perhaps the tiniest button for a bis Bb key that I have ever seen on a sax;
  • It does have a front F key;
  • The neck, although hidden by a teacup, is attached to the horn, and has a microtuner;
  • The horn is an alto.

Although I can’t say with 100% certainty which manufacturer made this saxophone, I would strongly suspect that the horn comes from Europe, is quite likely from Germany, and is likely pre-1950s.

Depending on the condition and price, if I were to see this vintage sax at a flea market, I’d probably buy it. If it were a tenor, the likelihood of me buying it would go up to around 99%. :devil2:

…this is just my blog. My “real” website is www.bassic-sax.info. If you’re looking for sax info, you should check it out too.There’s lots there!

A Hammerschmidt Klingsor Sax: To Buy Or Not To Buy That Is The ?

This entry is part 30 of 30 in the series Hammerschmidt Saxophones

The other day I was reading something about Hammerschmidt Klingsor saxophones again. I can’t remember anymore where on the ‘Net I was, but someone had just bought one, and other players were chiming in with their praise for this relatively obscure, vintage German brand. (BTW, this praise was coming from non-Hammerschmidt owners.)

I try to live by the old adage that if you don’t have anything nice to say, then don’t say anything at all. True, the horns with the acrylic key guards are certainly striking, and the company spent a lot of time and effort on details—like to body to bow and bell to bow connecting rings—but the horns are inconsistent at best. I should know, I have 3 of them (2 tenors and an alto).

Hammerschmidt Klingsor saxophone, sax, key guards, vintage sax, German, photo effects

Hammerschmidt Klingsor tenor # 043XX  photo by H. Kahlke © 2013

I don’t know how widespread the intonation problems are with the later model Klingsor horns that Hammerschmidt produced. I just know that according to German sax tech Uwe Ladwig, who has worked on numerous Klingsors, and has written about the company for the German music journal Sonic sax & brass, the problem’s root cause has been identified as a flaw in the neck design. This is why 1 of my tenors will never play in tune.

That said, Hammerschmidt Klingsor saxophones are still a pretty lot. They are relatively uncommon in the vintage saxophone world, and are a fun conversation piece.

My full-pearl alto is hanging on a wall in my studio, and usually draws the attention even of non-sax players. Sadly, as long as I own it, it will not be getting a restoration. It might play well once restored. Or, its intonation might be off enough to render it useless for professional work. There is no way to know until the work is done, and I’m not prepared to spend the money to find out.

The fact is there are other vintage, German pro altos out there that are consistent, which are a known entity. For example, with a JK Toneking, The New King, or a Hohner President (now there’s a sleeper horn for you), you know what you’re getting: a solid horn, with solid intonation.

So my advice to anyone wanting to buy a vintage, German saxophone, is to carefully consider your options. If a Hammerschmidt Klingsor comes along, play-test it before you buy it. See what else you can buy. Is there a JK or a Hohner available? Take your time, you might very well be better served going with a different brand.

When it comes to vintage horns, there are of course no absolutes. They were all hand-built, have likely gone through multiple owners, and have had varying levels of service over their 50+ year lifespan. That’s why trying before you buy, or buying through a reputable dealer is paramount.

…this is just my blog. My “real” website is www.bassic-sax.info. If you’re looking for sax info, you should check it out too.There’s lots there!

Smoke Sax Moved To A New Home

Smoke Sax, saxophone sculpture, Houston, Texas, artist Bob Wade, VW bettle

Photography by: Victor Chelf  Source: Flickr

What is likely the largest (non-playable) saxophone in the world, was moved last month. That’s right, according to a February 28 article in the Houston Chronicle,  Houston’s famous Smoke Sax, was disassembled and moved 13 miles to its new home at the Orange Show Center for Visionary Art.

The sculpture, made of a VW shell and several hoods, as well as other car parts, oil field pipes, and a surf board, no longer suited the current owners of the restaurant. Luckily for art lovers, they offered to donate the sculpture to the Orange Show Centre for Visionary Art, rather than selling it for scrap.

Smoke Sax was created by artist Bob Wade of Austin, Texas. Wade originally made the unique piece of folk art approximately 20 years ago for the nightclub, Billy Blue’s. After the club closed, the building stood empty for years,and the sculpture was neglected, as well as vandalized. Three years ago, Smoke Sax was restored to what we see today: the big, blue saxophone sculpture that once again stands proudly against the blue Texas sky.

Smoke Sax’s move, estimated to cost over $40,000, was overseen by Wade himself. It was expected that the disassembly alone would take the better part of a day. Just how the Orange Show Centre for Visionary Art is going to pay the $40,000 bill was unclear, because it wasn’t in their budget. That said, apparently the move had to be done quickly, and the offer was too good to refuse, so according to the Orange Show’s Board President:

We are seeking creative ways to fund the project and hope that the city of Houston will rally around our efforts.

Source: 70-foot saxophone “Smokesax” is on the move, by By Molly Glentzer, Chron, February 28, 2013

On the website TexasEscapes.com, artist Bob Wade had previously expressed other hopes for Smoke Sax. On a page last updated in December 2008 (before the sculpture’s restoration), Byron Brown writes the following:

…Somewhere in Houston, outside of a defunct bar called Billy Blue’s, a towering, two-story saxophone made of found objects (one piece of which is an upside down VW bug shell-a favorite tool of Wade’s) waits patiently for a return trip to Austin. It is Wade’s hope and dream (he calls it the final stage of his “legacy”) that this last piece of extravagance can find its way to a spot near Waller Creek in Austin. The city is renovating the entire area and has agreed to place the sculpture in a predetermined space. All that is needed is someone to help get it there. As Wade stated, “If only I could get this done right here-I could almost say ‘OK. Now I’m happy.”

Source: Bob Wade, by Byron Brown, on TexasEscapes.com

Despite Smoke Sax not coming to Austin, I hope that Wade is happy that his sculpture will be preserved. I have for years been fascinated with this piece of saxophone art, and have written about it, or have mentioned it in a number of articles over the years ( 1, 2, 3, 4, 5, 6, 7).

I was extremely pleased when it was restored 3 years ago, and can only imagine how it felt for the artist to see his piece of art come to life again after years of neglect. To have it now find a home where it will be truly appreciated, must be a big relief.

Hopefully someone will eventually take some photos of Smoke Sax in its new location. I’m sure it will be a little while yet, before it stands proud against the blue, Houston sky, but what a sight that will be.

…this is just my blog. My “real” website is www.bassic-sax.info. If you’re looking for sax info, you should check it out too.There’s lots there!