This past summer I wrote about an Italian-made W. Stowasser’s Söhne bass saxophone, that one of my readers had an opportunity to buy. Some of the information I was able to obtain about the W. Stowasser’s Söhne company, came from Scott Robinson. For over a decade, Scott has owned a W. Stowasser’s Söhne Verona contrabass saxophone.
Scott was nice enough to send me some photos of his vintage contra, and give me permission to write about the sax. I’ve been meaning to do just that, but as so often happens, I got sidetracked, and my article went onto the back burner.
Then this morning I noticed that another contrabass sax player, Randy Emerick, had posted a link on the Bass Sax Co-op, to a CNN story about Scott and his contra. This is a great piece. Enjoy…
Watching this video jiggled my memory, and I thought today was the perfect day to finally write about Scott Robinson and his vintage contrabass saxophone.
Scott’s main horn is tenor. He writes:
I’m primarily a tenor player, jazz music of all types, although I play a lot of bass and other sizes (did a whole CD on C melody called Melody from the Sky). I’ve played the contra on probably 6-8 CDs including my own Thinking Big, and others with John Pizzarelli, Randy Sandke, Hazmat Modine, Bob Belden and others. I played it in a Jackie Chan movie score, in the JVC jazz festival, and with people like Roscoe Mitchell, Maria Schneider, Bobby Short, Don Sebesky and others. It’s definitely seen some use.
Source: S. Robinson
According to Scott, this Italian-made contrabass is keyed from low Bb to D3.
Source: S. Robinson
This W. Stowasser’s Söhne Verona contrabass saxophone has an automatic octave key.
Source: S. Robinson
Source: S. Robinson
Scott says as much as he loves his vintage contra, it is very difficult to play, and quite out of tune.
Source: S. Robinson
In this photo, you can see Scott with his contra, along with a tenora, a Catalonian double reed horn that was presented to him recently in Barcelona.
Source: S. Robinson
I think it’s wonderful that one of the original remaining 15 or so contrabass saxophones sees regular use. These horns have a historical value all their own.
Sure these vintage contras might not play as in tune as an Eppelsheim contra, nor are they as ergonomically friendly. However, in the vintage saxophone world, these guys are at the top of the food chain.
I was wondering if Scott Would like to participate in the bass saxophone band. Is there some way that I can contact him?
Jammin’ after 12
Thanks
-Chris Halpin
Check your email Chris.