Conn’s R-B Electronic Pick-up
Conn’s R-B Electronic Pick-up

Conn’s R-B Electronic Pick-up

I saw something very interesting on eBay last night. It was something that I had never heard of before. Have you ever heard of Conn’s R-B electronic pick-up that was intended for use on all wind instruments?

Conn’s R-B electronic pick-up, vintage ad, 1965 print ad, saxophone player, fender amp, tenor sax, neck pick-up

Source: ANTIQUE~GRAPHIQUE on eBay.com

Unless you’ve been in a coma since the 1960s  😉 , you should have heard of Selmer’s Varitone, and quite possibly the Buescher Varitone, as well as the Vox systems that were utilized by King and Beaugnier. However, from the research that I have done, Conn’s R-B electronic pick-up was a bit more obscure.

Now I freely admit I’m not really a gear head. True, I do have a lot of saxophones, and yes, out of necessity I also have an amplification system. What I have though is not antiquated like the Varitone, Vox, or this R-B electronic pick-up. My system is relatively modern, and very digital.

I do have a fascination with the older, analogue systems of sound amplification and modification, so this morning I decided to see if I could find out something about Conn’s R-B electronic pick-up. A rather cursory Google search turned up only one reference to this Conn system. It came from the September 9, 1967 edition of Billboard magazine.

In the following article written by Bruce Weber about the amplified instrument market, he writes about the premier of Conn’s Multi-Vider, which put it in direct competition with Varitone and Vox.

Sept 9 1967 Billboard Magazine, Conn’s R-B electronic pick-up, amplified instruments, Conn Multi-Vider

Now this made sense, the Conn Multi-Vider is a much more common piece of vintage saxophone electronica. Here’s an ad for the unit from 1968…

1968 Conn Multi-Vider Ad, vintage print ad, Conn 500 amplifier

Source: ANTIQUE~GRAPHIQUE on eBay.com

If you’d like to see what they looked like in real life, Doctor Sax has a couple on his site. The first is perhaps the first made—at least based on its serial number. The other came with its manual, pickup, two pickup port grommets, plugs, cords, power supply and original shipping box.

The Multi-Vider ad above doesn’t state if the “American-made microphone with moisture-resistant stainless steel diaphragm” is Conn’s R-B electronic pick-up, or a variation on it, but I can’t see why it wouldn’t be.

…this is just my blog. My “real” website is www.bassic-sax.info. If you’re looking for sax info, you should check it out too.There’s lots there!
 

2 Comments

    1. Note: This comment is actually from Mal-2. He contacted me via email, because my new, über aggressive, anti-Spam software apparently blocked him twice from leaving the following comment:

      My last comment attempt was rejected for being suspected spam. 😡

      This unit appears to produce a tone one or two octaves above and a tone one or two octaves below, both of which can be mixed with the original signal. Calling it a “computer” is technically correct, but it’s probably analog computation. Digital signal processing just wasn’t sufficiently developed in those days — they didn’t really become practical for real-time use until about 1980. Fortunately, octaves are rather straightforward to do in analog circuitry. Other intervals didn’t become practical until DSPs became mainstream.

      Some guitar and bass pedals still operate this way, but most are digital now, because it’s cheaper and more flexible.

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